Terescia’s thoughts and such on writing romantic fiction for publication.

I’ve spent nearly three weeks writing a synopsis, and I’m tired. I haven’t polished it; I haven’t revised. I’m not finished, but by tonight I will be.

Sometimes, there are no great epiphanies. A character changes in lots of small, seemingly insubstantial ways that accumulate over the course of a story to make the ending possible. He (She) would or wouldn’t have reacted a certain way in the beginning, but by the end everything is in place.

How does one show this in a five page synopsis that’s meant to cover all the high points of a story, tell all the bits that matter, and still have room for everything else? Huh?

I’ve read so many articles and listened to so many tapes on how to write a selling synopsis that I was sick of the whole process months before I ever sat down to write this one. Maybe I know too much now, but I don’t remember my synopsis for my last book being this excruciating to write.

I’ll finish this tonight, even if it’s with the attitude to just get the thing written. No excuses. No compromise.

And no deletion upon completion allowed. ;-)

I’m feeling bittersweet this week, now that I’ve made it past conference and coped with illness. I became sick Thursday night before last and still managed to make it to Knoxville for the SMRW Mt. Laurel Conference. I was sick the entire time I was there, and for three days afterwards, but I’m mostly back to normal now. :-)

Conference was good to me–I had multiple requests for my manuscript (completed just before conference, and probably the reason behind the bittersweet feeling plaguing me)–but I find it difficult to be particularly happy about the requests. I’ve heard too many stories where people say, “Oh, they’ll ask for anything at a conference.” Considering how badly I flubbed up one of my pitches (and the fact that, yes, the agent still asked for a partial) I’m of a mind to believe it.

The thing is, I’m nervous around people I don’t know well (very, very well). I can’t do small talk and I tried, and I think that’s where I went wrong. Once I’d lost my grip on my thoughts, I never got it back. However, this particular agent was nice about it, and I came away feeling not-quite-humiliated. ;-)

Anyway, I haven’t pushed myself to get my stuff out. I figure two/three weeks is good. Since the book is so freshly finished, I feel the time to go over things and tweak is well spent. My worst nightmare is to send something out in a rush and ruin my chances with someone because of an easily avoidable oversight.

I’m feeling lazy, and I don’t particularly want to rush this time anyway. I don’t know. Maybe it’s conference hangover. ;-)